凯伦 程是美国西雅图市华盛顿大学视觉交流设计项目的副教授，主要教授该大学的字体设计和字体排印学课程。她是一名积极的字体设计实践者，其设计作品早已获得了美国平面设计师协会（AIGA）、ID杂志和美国设计中心的认可。她在ID杂志上出版了《交流艺术》一书。

As one of a graphic designer’s most essential tools, typefaces influence the appearance of visual print materials perhaps more than any other component. This essential book explains the processes behind creating and designing type. Author Karen Cheng discusses issues of structure, optical compensation, and legibility, with special emphasis given to the often overlooked relation...(展开全部)

In this invaluable book, Karen Cheng explains the processes behind creating and designing type, one of the most important tools of graphic design. She addresses issues of structure, optical compensation, and legibility, with special emphasis given to the often-overlooked relationships between letters and shapes in font design. In this second edition, students and professional g...(展开全部)

While writing and alphabets go back thousands of years, the history of typography is a long, rich, and unique one-spanning from the movable type used to set Guttenberg's 42-line Bible in 1455 to today's 21st-century computer-designed typefaces. Type and Typography is the definitive guide for every designer who works with type and layout. Carefully structured and brimming with ...(展开全部)

New information and new images make this perennial best-seller an even more valuable tool for anyone interested in learning about typography. First published in 1971, this title is used universally ever since. It provides access to lessons from distinguished typographers around the world through Web site. More than 250,000 are sold.

Digital technology has changed the way we interact with everything from the games we play to the tools we use at work. Designers of digital technology products no longer regard their job as designing a physical object--beautiful or utilitarian--but as designing our interactions with it. In Designing Interactions, award-winning designer Bill Moggridge introduces us to forty infl...(展开全部)

日本平面设计大师原研哉先生，日本设计中心代表，武藏野美术大学教授，无印良品咨询委员会委员 他以一双无视外部世界飞速发展变化的眼睛面对“日常生活”，以谦虚但同时尖锐的目光寻找其设计被需要的所在，并将自己精确地安置在他的意图能够被赋予生命的地方。当我们的日常生活正在越来越陷入自身窠臼之时，他敏锐地感知到了设计的征候和迹象，并且自觉自主地挑战其中的未知领域。他的设计作品显现出来的不落陈规的清新，在于他找到了设计被需求的空间并在其中进行设计。在这样的态度下，他拓展了设计的视野和范畴，在他所经历之处，崭新的地平线不停地被发现和拓展。

Designing Sound teaches students and professional sound designers to understand and create sound effects starting from nothing. Its thesis is that any sound can be generated from first principles, guided by analysis and synthesis. The text takes a practitioner's perspective, exploring the basic principles of making ordinary, everyday sounds using an easily accessed free softwar...(展开全部)

Karl Gerstnera (TM)s work is a milestone in the history of design. One of his most important works is Designing Programmes, which is presented here in a new edition of the original 1964 publication. In four essays, the author provides a basic introduction to his design methodology. Instead of set recipes, the method suggests a model for design in the early days of the computer ...(展开全部)